With playing that is “fierce and lyrical” and works that are “other-worldly” (The Strad) and “evocative” (New York Times), Jessica Meyer is a versatile composer and violist whose passionate musicianship radiates accessibility, generosity, and emotional clarity. As a soloist and member of the award-winning and critically-acclaimed contemporary music collective counter)induction, Jessica has premiered pieces for solo viola internationally – expanding the repertoire for viola by championing new works while also composing her own.
Meyer’s compositions explore the wide palette of emotionally expressive colors available to each instrument while using traditional and extended techniques inspired by her varied experiences as a contemporary and period instrumentalist. Recent premieres include performances by the Grammy-winning vocal ensemble Roomful of Teeth, cellist Amanda Gookin for her Forward Music Project at National Sawdust, soprano Melissa Wimbish for her Carnegie Hall debut, and NOVUS NY of Trinity Wall Street under the direction of Julian Wachner. Upcoming commissions include works for the PubliQuartet, flutist/dancer Zara Lawler, and Sandbox Percussion with vocal duo Two Cities.
Meyer’s current solo show and “intriguingly vivid” (Lucid Culture) debut album, Sounds of Being, she uses a single simple loop pedal to create an intricate virtuosic orchestral experience with her viola and voice. Drawing from wide-ranging influences which include Bach, Brahms, Delta blues, Flamenco, Indian Raga, and Appalachian fiddling, Meyer’s music takes audience members on a journey through joy, anxiety, anger, bliss, torment, loneliness and passion. Her solo show has been featured at iconic venues such as BAMcafé and Joe’s Pub in NYC, the Andy Warhol Museum in Pittsburgh, and in Paris at Sunset Sunside. Equally at home with many styles of music, Jessica can regularly be seen performing on Baroque viola, improvising with jazz musicians, or collaborating with other performer/composers.