• Composer
    Performer
    Educator

    “…fierce and lyrical.”

    The Strad

…two of the festival’s most alluring programs are recitals by string players who also compose.

Most notable of all, though, is Meyer’s bravura playing…

Meyer’s fierce-edged playing activated the Tank’s awe-inspiring properties.

…truly inspires and lead us to be our best selves.

Meyer is a talented composer…reaching for something new and unknown.

…knife-edge anticipation opens on to unexpected, often ecstatic musical realms, always with a personal touch and imaginatively written for the instruments.

..has established herself as a powerful force in contemporary classical music… 

…two of the festival’s most alluring programs are recitals by string players who also compose.

Most notable of all, though, is Meyer’s bravura playing…

Meyer’s fierce-edged playing activated the Tank’s awe-inspiring properties.

…truly inspires and lead us to be our best selves.

Meyer is a talented composer…reaching for something new and unknown.

…knife-edge anticipation opens on to unexpected, often ecstatic musical realms, always with a personal touch and imaginatively written for the instruments.

..has established herself as a powerful force in contemporary classical music… 

Composer

With playing that is “fierce and lyrical” and works that are “other-worldly” (The Strad) and “evocative” (New York Times), Jessica Meyer is an award-winning composer and violist whose passionate musicianship radiates accessibility and emotional clarity. Her first composer/performer portrait album in 2019 debuted at #1 on the Billboard traditional classical chart, where “knife-edge anticipation opens on to unexpected, often ecstatic musical realms, always with a personal touch and imaginatively written for the instruments” (Gramophone Magazine).

Meyer’s compositions viscerally explore the wide palette of emotionally expressive colors available to each instrument while using traditional and extended techniques inspired by her varied experiences as a contemporary and period instrumentalist. Since embarking on her composition career eight years ago, premieres have included performances by acclaimed vocal ensembles Roomful of Teeth and Vox Clamantis, the St. Lawrence String Quartet as the composer in residence at Spoleto Festival USA, the American Brass Quintet, PUBLIQuartet, cellist Amanda Gookin for her Forward Music Project, Sybarite 5, NOVUS NY of Trinity Wall Street, a work for A Far Cry commissioned by the Isabella Stewart Gardner Museum in Boston, the Juilliard School for a project with the Historical Performance Program, and by the Lorelei Ensemble for a song cycle that received the Dale Warland Singers Commission Award from Chorus America.

Her first Symphonic Band piece was commissioned and toured by the President’s Own Marine Band (with a sold-out NY premiere in Carnegie Hall) and was a finalist for the William D. Revelli Composition Contest. Her orchestral works have been performed by the Phoenix, North Carolina, Charlotte, and Vermont Symphonies, the Nu Deco Ensemble in Miami, at Tanglewood in Seiji Ozawa Hall, and all around the country as part of Carnegie Hall’s nationwide Link Up Program. She was the winner of the 2nd Annual Ellis-Beauregard Foundation Composer’s Award to write a piece for the Bangor Symphony, and a winner of Chamber Music America’s Commissioning Program Award to write for the Argus Quartet. Recent premieres included works for the Dorian Wind Quintet, Hausmann Quartet, Hub New Music, the Portland Youth Philharmonic in collaboration with the female vocal ensemble In Mulieribus, and her viola concerto “GAEA” with the Orchestra of the League of Composers at Miller Theatre in NYC. Upcoming premieres include works for the Bronx Arts Ensemble, the Brooklyn Art Song Society, and the American Guild of Organists for their National 2024 Conference.

Performer

With playing that is “fierce and lyrical”, Jessica Meyer is a violist who is known for her expressive “bravura playing” (The Strad). As a solo performer, Ms. Meyer uses a single simple loop pedal to create a virtuosic orchestral experience with her viola and voice. Drawing from wide-ranging influences which include Bach, Brahms, Delta blues, Flamenco, Indian Raga, and Appalachian fiddling, Meyer’s music takes audience members on a journey through joy, anxiety, anger, bliss, torment, loneliness and passion. Her solo shows have been featured at iconic venues such as BAMcafé, Joe’s Pub, and Symphony Space in NYC, the Andy Warhol Museum in Pittsburgh, in Paris at Sunset Sunside, in addition to venues in Singapore, Switzerland, Vietnam, the Emirates and beyond.

Highlights from last season include the premiere of her own viola concerto, “GAEA”, with the League of Composers Orchestra, solo and chamber performances at the Moab Music Festival, and a new work written for herself alongside the Hausmann Quartet in San Francisco.

At home with many different styles of music and an ardent collaborator, Jessica can regularly be seen premiering her chamber works, performing on Baroque viola, improvising with jazz musicians, or collaborating with other composer-performers.

Educator

Ms. Meyer is equally known for her inspirational work as an educator, where she empowers musicians with networking, communication, teaching, and entrepreneurial skills so they can be the best advocates for their own careers. Her workshops have been featured at the Juilliard School, the Curtis Institute of Music, for the Teaching Artists of the Philadelphia Orchestra, the Manhattan School of Music, the Longy School of Music, NYU, the Chamber Music America Conference, and at various universities around the country. Jessica has conducted hundreds of workshops for students and adults for Lincoln Center, Carnegie Hall, The Chamber Music Society of Lincoln Center, Caramoor, the Little Orchestra Society, and the Orchestra of St. Luke’s.

Currently, she is most passionate about getting musicians of all ages off the page to activate their own creativity, improvise, and awaken their own inner composer – which in turn makes them better performers. In addition to teaching virtual workshops, live engagements have been for the Moab Music Festival, the National Youth Orchestra of Carnegie Hall, for the North Carolina Chamber Music Institute, and in residencies where her music is programmed. For two years, she created and led a Teen Composer Intensive at New England Music Camp so that teens of all abilities can develop their craft, amass recordings for their portfolio, and connect with both professional and student performers. This past summer, she served as the Composer in Residence for the Imani Winds Chamber Music Festival and led their Emerging Composer Program.

As of Fall 2023, she has joined the Viola Faculty of the Manhattan School of Music.

© Copyright 2017-2024 - Jessica Meyer | Composer, Violist, Educator