Ring Out (2019)

Debut composer-portrait album Ring Out on the Bright Shiny Things label

When I began composing I did not recognize at the time where this deep need to do so came from. I knew that I wrote music in response to events in my life, but I did not realize until just recently that the process of becoming a composer was also the catalyst for growing into a new version of myself. These selected pieces from that time period highlight moments of this journey of becoming.

CD Available

CD available here, or on all digital platforms

Album debuted at #1 of the Traditional Classical Billboard Chart


“In each of Jessica Meyer’s differently configured works from the last five years, knife-edge anticipation opens on to unexpected, often ecstatic musical realms, always with a personal touch and imaginatively written for the instruments.”


“Meyer captains a crew of excellent collaborators on Ring Out, both a co-equal performer and the navigator charting the course…the story of her first two albums is one of an artist expanding her palette and casting expectations aside. Breaking old confining narratives of musicianship and composition, she has made them her own to rewrite.”


“The New York-based artist infuses her first composer-portrait album with a fierce, impassioned attack; in doing so, she no doubt inspired those joining her to do the same…contrasts of dynamics, tempo, and texture are exploited plentifully, the music alternating rapidly between elegiac and raw.”


“…this is an impressive maiden voyage for Meyer the composer, with performances and production values beyond reproach.”


“(Album Ring Out) In which supremely talented violist Meyer reveals herself as a delightfully varied, and emotionally connected, composer…. if you listen to Ring Out you’ll likely be waiting with bated breath for more.”


“…music that is endlessly inventive, rules-defying, surprising, lyrical when called for, and even bluntly forceful at times. The composer is a young violist who not long ago decided that yet another gig playing her fiddle would not completely fulfill her artistic impulses. And then she wrote.”


Album Track List

1. But Not Until (viola & cello)

2 – 4. I Only Speak of the Sun (string trio)

I. The Sun is my Master
II. I shine on those who are forsaken…tear off the mask, your face is glorious
III. I will bring you love’s wine, for I am born of the sun

5. Released (solo scordatura cello)

6-9. Seasons of Basho (countertenor, viola, piano)

I. Spring
II. Summer
III. Autumn
IV. Winter

10. Only a Beginning (violin and viola)

11. Ring Out, Wild Bells
(for vocal octet and field recording, feat. Roomful of Teeth)

Album Recording Artists

Miranda Cuckson (violin)
Tracks 2-4, 10

Jessica Meyer (viola)
Tracks 1-4, 6-10

Caleb van der Swaagh (cello)
Tracks 2-4

Andrew Yee (cello)
Tracks 1 & 5

Nicholas Tamagna (countertenor)
Tracks 6-9

Adam Marks (piano)
Tracks 6-9

Roomful of Teeth (vocal octet)
Track 11

About the Pieces

“But Not Until” is a duo based on a series of ironic interpersonal experiences that reminded me of the David Foster Wallace quote, “The truth will set you free. But not until it is finished with you.” This duo was the first chamber work I wrote, and it demands both an equal amount of physical and emotional virtuosity on behalf of the performers. Stark contrasts in range, color, and texture presents the complicated journey of finding one’s own personal truth.

“I Only Speak of the Sun” was inspired by Rumi’s Ode 1621 while exploring all the vibrant colors and textures these three instruments can make. Three excepts from the Ode serve as the catalyst for the emotional content found in the piece: “The Sun is my Master”, “I shine on those who are forsaken…tear off the mask, your face is glorious”, and “I will bring you love’s wine, for I am born of the sun.”

“Released”: Back in 2013, a mother of a friend of mine died in a tragic car accident on I-95. A truck unexpectedly crossed over the median and crashed head-on into her car. I often wonder what those last moments of life might be like. You hear about flickering lights and memories, and perhaps a swirling vortex of images of your life flashing before your eyes. However quick or prolonged, panicked or serene, I believe there is a moment of irrefutable recognition when you know death is coming and you are about to be released into the other side. This piece explores all of these ideas, in the hopes that one would ultimately find peace when they get there. I use the “Dead Man’s Tuning” (G – G – D – G) for this, which comes from the Appalachian Old Time fiddling tradition.

In “Seasons of Basho”, I took the enchanting haiku of master Matsuo Basho and sequenced the translated text in a way that narrates an age-old story of discovery, lust, loss, and loneliness using the unique combination of countertenor, cello, and piano. Basho’s poetry is deeply rooted in nature, and I used the cyclical changing of the seasons as a metaphor for the highs and lows of obsessive love. Lyrics are here.

“Only a Beginning” was inspired by words and music I interacted with during the Summer of 2015. The title comes from Indira Ghandi’s quote: “Martyrdom does not end something, it is only a beginning.” I happen to stumble upon this quote after a week of performing Poulenc’s “Dialogues of the Carmelites” at Caramoor and a chance encounter of hearing a friend sing the “In Paradisum” of the standard Catholic Funeral mass. With all of these events coinciding, I could not help but reflect on what sacrifice means – what we think it means, and how it actually plays out in everyday life. We may sacrifice things for God, our spouse, our children, our family, our friends, sometimes even for people we don’t even know. This piece explores what can happen to us emotionally in this act of giving, and what we ultimately learn about ourselves in the process.

“Ring Out, Wild Bells” (for vocal octet and field recording): I happened to be in Paris on an Easter Sunday morning, and while I was at a café three different churches within earshot started chiming to call everyone to mass. Amazing rhythms started to phase in and out of each other, so I ran outside with my phone and recorded it. This became the inspiration for “Ring Out, Wild Bells”, which is also a poem by Alfred Lord Tennyson (published in 1850, yet still very relevant today) that accurately sums up what I wish to see in the world.

For musical reasons, I have extracted the following text and sequenced it differently from the original poem. I have also extracted a section of my original recording of the bells and looped it. The ensemble should accompany this track for the middle section of the piece. It was an honor to have Roomful of Teeth bring this to life at the TANK’s Summer Solstice concert in Rangely, CO in 2017. Lyrics are here.

© Copyright 2017-2024 - Jessica Meyer | Composer, Violist, Educator